Published: January 31, 2025
Formed in mid-2015 in Hyderabad, Godless was founded by a group of seasoned musicians who had already made their mark on the Indian metal scene.
Indian death metal band Godless has set April 4th as the international release date for their highly anticipated new EP, Genesis of Decay.
"Genesis of Decay" track listing and cover art:
1. Amorphous Mass
2. Doctrine of Hate
3. Silent Oppression
4. Prologue to Dissent
5. Echoes of Collapse
Godless – A Force of Relentless Death Metal
Emerging from the heart of India's thriving yet unorthodox metal scene, Godless has steadily climbed to the pinnacle of the country's death metal scene. But it's not their experimental innovations that have set them apart—rather, it's their unapologetic dedication to pure, high-octane, thrash-infused death metal. With their ferocious energy and no-holds-barred approach, they've become a standout force in the global extreme metal landscape.
Formed in mid-2015 in Hyderabad, Godless was founded by a group of seasoned musicians who had already made their mark on the Indian metal scene. Though their name might suggest a nihilistic, uncompromising spirit, it's the band's raw and unrelenting sound that truly defines them. From their very inception, Godless has drawn upon the rich heritage of old-school metal while constantly evolving their sound—often delving into thrash, death, and beyond.
The band made their debut with Centuries of Decadence, a blistering four-track EP released in May 2016 through Transcending Obscurity Records. Mixed and mastered by Joe Haley of Psycroptic, the EP was met with widespread acclaim, securing features in Rolling Stone India, Terrorizer, XXL Rock, No Clean Singing, Metal Wani, Brave Words, and Dead Rhetoric. The release quickly cemented Godless as a rising force in the Indian death metal scene.
In 2017, the band had the honor of supporting iconic acts like Psycroptic and Jeff Loomis on their Indian tours, gaining invaluable exposure and growing their fanbase. Fuelled by this momentum, they returned to the studio in early 2018 to record Swarm, a vicious death-thrash EP that featured a guest appearance by former Obscura guitarist Tom "Fountainhead" Geldschlager. The EP was recorded and mixed at Poland's legendary Hertz Studio, known for its work with giants like Vader, Behemoth, and Decapitated.
In 2018, Godless triumphed in the Metal Battle India competition, earning them a coveted spot to perform at Wacken Open Air—one of the world's largest metal festivals. This international debut marked the band's first major milestone on the global stage. Following a packed 2019 that included a successful India tour, a four-week European tour, and a memorable Nepal tour, the band set their sights on even greater achievements.
In November 2021, Godless unleashed their highly anticipated debut LP, States of Chaos. Mixed and mastered once again at Hertz Studio, the album delivers eight ferocious tracks of relentless thrash and death metal. States of Chaos quickly garnered praise from fans and critics alike, landing the band at the top of Bandcamp's global charts for both thrash (#1) and death metal (#3). The album earned widespread acclaim from outlets such as Unite Asia, Metal Injection, and Invisible Oranges, and was featured by Rolling Stone India as one of the top 10 Indian albums of 2021. States of Chaoswas also nominated for "Album of the Year" by Metal Injection, and recognized by Bandcamp as one of the best metal releases of November 2021.
Now, with a lineup consisting of Abbas Razvi (bass), Nikhil Rajkumar (drums), Moiz Mustafa (guitar), and Nangsan Lyngwa (vocals), Godless is already deep into the creation of their next record. The band has an upcoming India tour in 2025, followed by a return to Europe in April and May for more intense live performances that are sure to continue their ascent.
In a genre where innovation is often as prized as tradition, Godless stands out by staying true to the roots of death metal, while simultaneously pushing the boundaries of their sound. The chaos is only just beginning.
