Aerosmith, Run-DMC & the Story of 'Walk This Way': When Rap and Rock Didn't Just Argue, They Made History

The story of �Walk This Way� is one of those musical accidents no one could have predicted, yet one that ended up changing everything. In 1975, Aerosmith released the song on their album Toys in the Attic, built around a sharp guitar riff and an unmistakable groove that helped cement the band�s place among America�s biggest rock acts.

More than a decade later, that same song would become the foundation for a cultural collision that permanently altered the relationship between hip-hop and rock.

By 1986, Run-DMC had already established themselves as one of the most influential names in rap, but hip-hop was still fighting for space in mainstream radio and television. It was producer Rick Rubin who saw an unexpected opportunity: take a classic rock song and reinterpret it through a rap lens for Run-DMC�s album Raising Hell.

When Rubin first played the original track to the group, the reaction was hesitant at best. The lyrics felt strange, the delivery unfamiliar. Darryl �DMC� McDaniels famously dismissed the song as �hillbilly gibberish,� unsure how it could fit their world. But Rubin insisted that they focus not on the words themselves, but on the rhythm and structure.

To make the idea work, Steven Tyler and Joe Perry of Aerosmith were brought into the studio to recreate their original vocal and guitar parts. What followed was not a compromise, but a true collaboration. Tyler�s signature scream and Perry�s riff remained intact, while Run-DMC delivered their verses with the confidence and authority that defined early hip-hop. Jam Master Jay played a crucial role in encouraging the group to stay true to their identity rather than imitate rock conventions.

Released in July 1986, the new version of �Walk This Way� became an immediate cultural shockwave. The single reached No. 4 on the Billboard Hot 100, making it one of the first rap songs to break into the upper tier of the chart. MTV rotation followed, exposing hip-hop to millions of viewers who had never encountered the genre before.

The impact went far beyond chart positions. For the first time, rap was being played on rock radio, and rock audiences were engaging with hip-hop not as a novelty, but as an equal. The music video, famously featuring a wall literally being broken down between the two bands, became a visual metaphor for what the song achieved musically.

The collaboration proved transformative for both sides. For Aerosmith, who had struggled through internal turmoil and declining momentum in the early 1980s, �Walk This Way� sparked a powerful resurgence that led to a new era of commercial success. For Run-DMC, the song helped legitimize hip-hop as a mainstream force, opening doors for countless artists who followed.

Decades later, �Walk This Way� remains more than a crossover hit or an �80s curiosity. It stands as a reminder that musical genres don�t grow by guarding their borders, but by challenging them. Rap and rock may have argued for years about authenticity, attitude and ownership but when they finally came together, the result wasn�t compromise.

It was history.

Written by Gino Alache – Music Journalist