Published: January 28, 2019
A hometown return full of nostalgia, rock spirit and emotional storytelling
For years, I waited for this moment. Ironically, I had to move to Canada to finally watch Bryan Adams live, one of the country’s most iconic rock artists and someone born right here in my current hometown of Kingston.
Many may ask, why Bryan Adams? The answer is simple and spelled with four letters: ROCK. That is exactly what this legendary musician represents. Few artists have survived the unpredictable, often ungrateful world of rock with such dignity, consistency and relevance.
The journey to the venue was a challenge in itself. Winter in Kingston is ruthless, with temperatures plunging between -20°C and -40°C. Ice, snow and biting winds turned the drive into an endurance test. But the destination was worth every frozen step: the Leon’s Centre, formerly the K-Rock Centre. When I arrived, entry was surprisingly quick, typical of Kingston’s relaxed nature. No invasive security checks, no long delays—very different from New York, Lima, Buenos Aires or Toronto. It’s part of why I’ve grown fond of this place.
At exactly 8:20 p.m., the lights ignited and Bryan Adams stormed the stage like a bolt of energy, opening with the single “Ultimate Love.” For someone nearing 60, he looked remarkably youthful and in top form. His voice, presence and stamina showed no signs of slowing down.
What followed was a parade of beloved hits: “Can’t Stop This Thing We Started,” “Run to You” and “Heaven,” along with “Shine a Light,” the title track from his 2019 album. More songs followed from records such as Get Up and Bare Bones, building momentum until the eruption of “Summer of ‘69.” This track hits differently in Kingston. The lyrics are deeply rooted in Bryan’s youth, and it’s said he refused to let his producer change the names of the characters—friends from his Canadian school days. You can hear the regional country influence woven into its DNA.
The night continued with (Everything I Do) I Do It for You, Back to You, Cuts Like a Knife and 18 til I Die. Mid-show, Bryan paused to share a personal story about his birth. On the night he was born, Kingston was hit by a brutal snowstorm. His mother called a taxi to reach Kingston General Hospital, but none arrived. Determined to protect her unborn child, she walked through the storm alone. Bryan credited that act as the first lesson he ever received in perseverance and sacrifice. The crowd listened in silence.
Later, Adams surprised fans with a cover of “Whiskey in the Jar,” an Irish folk classic popularized by Thin Lizzy and Metallica. He then performed “All for Love” in a stripped-down acoustic arrangement, creating an intimate atmosphere in the arena.
Nearly 30 songs and over two hours later, the show concluded. Bryan Adams returned to his hometown and reminded everyone why he remains one of the most enduring and respected rock artists on the planet. I was fortunate to stand close enough to truly appreciate his craft, charisma and timeless connection with the audience.
Written by Gino Alache – Music Journalist
